Mavo was a Japanese avant-garde artistic collective active in the 1920s, associated with radical experiments in visual art, performance, and literature that intersected with the broader modernist and Dada movements. Originating in Japan, the group incorporated elements of constructivism, collage, eroticism, and social critique into its work, often challenging traditional aesthetics and conventions through multimedia presentations, provocative visual pieces, and theatrical events. Members engaged with urban life and industrial modernity, using ephemeral and mixed-media techniques that blurred boundaries between fine art and everyday materials. Their output is noted for its interdisciplinary approach and engagement with contemporary political and cultural currents.