SALUKI, 104 is a South Korean post-rock/post-metal instrumental project known for expansive, atmospheric compositions blending ambient textures with heavy, cinematic dynamics. Emerging in the 2010s, the project emphasizes layered guitars, looping motifs and gradual crescendos that juxtapose serene passages with dense, distorted climaxes typical of post-rock and shoegaze-influenced metal. Its music is primarily instrumental and focuses on mood and texture rather than conventional verse-chorus song structures, often evoking a contemplative or cinematic atmosphere suited to long-form listening and live performances that highlight sonic build and release.